Friday, June 14, 2013

Another Road Trip: Chambord and Blois

KING(S) OF THE ROAD part I 


We were in need of a vacation, a little break. It doesn’t take much; no faraway, exotic location, no beach resort or jet setter crowds. We don’t have to go far, au contraire! Why tire ourselves out with complicated travel plans, long airport waits or unexpected glitches? Free as the wind, we toss the bare necessities, rubber boots, extra coats and snacks into the back of the station wagon, grab a few necessary guide books and leave. On a whim. Our destination is decided upon last minute. Do we want to stay in France or drive south to Basque Country, north to Holland? Do we want mountains or seaside or the hustle and bustle of city life? What we are always sure of is that we crave quiet nights, great meals and a few days filled with history.



An easy getaway is all that it takes to make us happy. An easy drive so as not to arrive tired out, an easy drive so as not to return home exhausted, the purpose of the break utterly destroyed in that long last day of travel. And why bother? We have so much magnificence a mere arm’s length away. We had already begun our Grand Tour of the châteaux of the Loire two years earlier, having visited Chenenceau and Villandry. We have visited Azay-le-Rideau and Langeais draped in beauty and fascination. This was the perfect chance to continue the trail. As the landscape swept by, a blur of green and hazy gray, as the road rushed under our feet, the music blaring from the radio, we hatched our plans, selected our itinerary.

Le temps change tout: Time changes everything



Winding through country roads once off of the autoroute, we were a bit stunned that we could not find the Château de Chambord immediately, its regal white and blue towers standing magnificently above the horizon. Chambord, built – although never completed – by François I in the XVI century is the largest chateau in the Loire valley. This imposing, royal structure was built as a mere hunting lodge, and who but a king would bring Leonardo da Vinci up from Italy to work on the design of the building. Or that could only be unfounded rumor, but da Vinci did indeed spend his last three years in the area. And much of the design is decidedly Italian, reminiscent of the master in all of its Renaissance splendor. The spectacular and confounding double helix staircase is attributed to the Italian master and is the centerpiece of this architectural wonder. We wandered up and down, throughout the rooms and across the grounds, trying to imagine the life lived between these stone walls, within the confines of this domain.




The salamander: royal symbol of François I

The double helix staircase

Château de Chombord: royal hunting lodge



Le Château de Blois is remarkable in that it is smack in the center of the city of Blois, built at its feet, rather than nestled in the countryside. A medieval castle built in the XIV century, the château is where Jeanne d’Arc was blessed by the Archbishop of Reims in 1429 and such kings as François I, Henri III and Henri IV (in all, 7 kings and 10 queens) resided within the walls of Blois. Blois is also where Henri III had his archenemy, the Duc de Guise famously murdered. While we saw the marriage of Anne de Bretagne, Duchess of Brittany, to Charles VIII, King of France, at the Château de Langeais, her second marriage with Louis XII at Blois allowed the return of Brittany to France. Very exciting times….


Louis XII

The porcupine: royal symbol of Louis XII 
(the royal motto was Qui s'y frotte qui pique)


A servant's kitchen




Blois, as I learn from my well-read, history buff husband, was the home of Robert-Houdin, the famous illusionist/magician (as well as clockmaker and inventor), and from whom Houdini took his name. Stepping out of the Château de Blois, we were greeted by a stunning 6-headed squawking, smoke-breathing dragon automaton coming out of the windows of Robert-Houdin’s home, now a museum.



We wander the streets, the towns, feeling our way through layers of culture and traditions. We spy salamanders and hedgehogs, symbols of kings long dead yet still very much alive in the mythic cities. We follow their footsteps, read snatches of their stories on placards and in books, we see the beds in which they may have slept, husband tells tales of murders and mistresses, assignations and wars. We search out bits and pieces of their lives as they intermingle with the lives of those presently making these places, these cities their homes.




"Entrance forbidden to the complainers."
"Push.
If that doesn't work, pull.
If that doesn't work
It's because we are closed."


We collapse into bed at the Grand Hôtel du Lion d’Or, a luxurious treat to ourselves, in the town of Romorantin-Lanthenay after a very fine meal by chef Didier Clément. We are, of course, in Sologne, famous for its asparagus and we were treated to three dishes featuring the white stalk.

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Thursday, June 6, 2013

Mini Baked Chocolate Cinnamon Donut Bites

THE HOLE STORY

I know there is strength in the differences between us. 
I know there is comfort where we overlap. 
Ani DiFranco 


Our families, our childhoods, our upbringings were as different as night and day. He grew up in an old-fashioned home in the working class suburbs of Paris, an apartment filled with too much dark, heavy, worn furniture in too small of a space. Narrow corridors, sharp corners, a string of small rooms, cumbersome tables, sofas, desks in faded pinks and scuffed browns that left little room to maneuver, nowhere to play for four children, were a reflection of a family weighed down by dark traditions and a heavy past. Papa and Maman worked downstairs in their tiny corner grocery, a blue-collar working family with rigid hours and conventions. Lunch was a hot meal, a long-simmered ragout, roasted chicken, one-pot dishes that filled and warmed, setting one up for the rest of the day. Dinner was a ritual as was that noontime hot, hearty meal; leftover meat eaten cold out of the refrigerator, watery poor man’s soup of carrots and leeks, a platter of cheeses, chunks cut off and placed on wedges of country loaf. Food was adamantly home cooked, every dish, every meal. Prepackaged and frozen had not made it to France, was unknown to the average French home cook. Canned was limited to vegetables yet why make canned when fresh was cheaper and within your reach and time no limitation? Convenience food was for the inconvenienced, not a good French housewife with two able hands and four able children. And traditions and a culture that looked down on anything less than good, homey, hearty old-fashioned food. Food was sustenance, maintenance and ritual.

No yard, few toys, my future husband spent his time at home – when not at boarding school – reading, writing and helping in the shop, making up games with his sisters and cooking, once out of familial duty, then out of pleasure, an oddity for a teen son. Family vacations were few and far between, children bundled into the back of the delivery truck and trundled off to the seaside to romp in chilly ocean water and play in damp sand. School was rigid, religious and oppressive, yet it gave him the chance to test his creativity and artistic entrepreneurial spirit by organizing a theater group and creating an underground newspaper. Summers, when he was old enough, had him chasing his freedom, confident, smart young man that he had grown to be; off he flew to working summers at community construction sites (this was France, so think châteaux) or biking across France or thumbing his way across Europe.



Snacks were scheduled as sharply as mealtimes, goûters at 10 a.m. and quatre-heures at 4 were glasses of milk or juice, a demi-tasse of sweet, black coffee and cookies, madeleines or pound cake, simple, plain, vanilla snacks served up to the gathered family around the table, a scheduled break, the time in the middle of the morning or afternoon, solidly marked halfway point between two meals, for a pause, down time. Then back to work.

My family was stoutly and firmly modern, smack dab, front and center in the 20th Century. Dad worked for NASA, working towards putting man on the moon, mom was a working mother before working mother was a common notion. Our Florida home was bright and airy, windows thrown open to the fresh air, lots of room between sparse furniture for four children to play. Our vast yard was always filled with children, running, playing tag and hopscotch and ball, noisy and rambunctious. Breakfast and lunches were catch-as-catch-can, bowls of cereal, sandwiches thrown together by tiny hands, chips and freetos piled high on paper plates, eaten in the kitchen or outside or in front of the television. 

Dinnertime was indeed a ritual, on the table at 6:00 sharp every evening as dad walked in through the door and silence was demanded as the sound of Walter Cronkite droned on in the distance, background noise, dinner music. Meals would come from a box or a can as often as homemade; my own mother was never enthralled with the art and act of cooking and unashamedly reveled in the convenience of convenience foods, made for women such as she. Mom just needed to feed one husband and her brood. On weekends, dad often took over, firing up the grill and tossing on steaks or burgers or heating up the griddle for pancakes. He baked cakes whenever he had the time, filling our home with snacks at the ready, cakes and pies and pudding among the bags of candy, boxes of cookies and whatever else young kids – or adult sweet tooth’s – could crave.



School was freedom, even though the rules having to do with grades and behavior strict. We biked there and biked back until high school when we were allowed to drive the folks’ car. Studies were creative, imaginative, fun. Summers meant the whole family piling into the station wagon and driving all day, all night up to stay with relatives for two weeks, let loose among the cousins, freedom in the streets, parks and The City when we were teens. We ate to our hearts’ content, barbecues and cookouts, delis and picnics, summer informality. 

Snacktime was no ritual in our humble home. Rather it was an act of instinct, of constant lust, of sustenance as much psychological and bodily. Grab a book, grab a handful of cookies; jump on the bike, pop open a chocolate drink; flip on the television, settle in with a slice of pie or bowl of ice cream. No traditions to follow, no prescribed schedule nor imposed conventions. Anything and everything was allowed, wherever, whenever, our good judgment and self-control trusted. Home baked, bagged, packaged and industrial, new-fangled, trendy, advertised on tv, it was all at our fingertips.

Share our similarities, celebrate our differences. 
M. Scott Peck 

Bring these two childhoods, these two traditions and these two diverse cultures together and raise two sons and snacktime becomes caught somewhere between the two continents. Their eating habits – along with their inclinations, attitudes, expectations and way of living - have been formed by French traditions and American freedom, by French structure and formality and American self-discipline and informality. My own easygoingness and gluttony towards sweets and snacks really has little effect on the boys except as it concerns the occasional chips-or-cake for a meal. They snack only when they are hungry and rarely out of the established time for goûter. Individually, each has his own taste, the desserts that turn him on, but as they grow older, their differences and the field narrow and, oddly enough, they are losing any remnant, any sign of a sweet tooth. They occasionally ask me to bake but almost uniformly request baked goods that are not so sweet, not so creamy, not so fancy. Back to basics.


So when I find that when I get it just right, hit the nail on the head… or rather la tête… all three of my Frenchmen, mes français, gobble it up, clean the plate and make this American very well pleased indeed. A pat on the back and a cultural job well done.

Every few days Clem shows up at the apartment unannounced and asks, “Did you make donuts? Where are the donuts?” He knows that I brought home pans for baked donuts from my recent trip to the States and he wants donuts. These little bite-sized chocolate cinnamon donuts are simple treats indeed yet with the taste and texture more of little bitty cupcakes than donuts, moist, tender and chocolaty without being overly sweet… and much easier and more fun to eat, just popped one by one into the mouth. These mini bite chocolate cinnamon donuts are the perfect snack, dusted liberally with powdered sugar, served with a glass of milk or a cup of coffee or tea.


BAKED CHOCOLATE (or vanilla) MINI DONUT BITES

I bought two pans for baked donuts while in the States, one for regular-sized and one for mini-donuts; I much prefer baking than frying donuts both for more control (I tend to burn things I deep fry) and simply to have a cakier and less fatty snack. I started roughly, very roughly, with the recipe from Wilton that came with the pan (the recipe itself did not work very well). The resulting mini-donuts – each one just a bite – is barely sweet, quite chewy and incredibly addictive. 


Makes approximately 24 mini donut bites

1 cup cake flour, spooned into the cup and leveled (see *note below for vanilla donuts)
¼ cup unsweetened cocoa powder (see *note below for vanilla donuts)
½ cup granulated sugar
1 ¼ tsp baking powder
1/8 tsp ground cinnamon
½ tsp salt
½ cup buttermilk + more buttermilk or milk as needed, 2 – 3 Tbs
1 large egg, lightly beaten
1 ½ Tbs unsalted butter, melted
Powdered/icing/confectioner's sugar for dusting

* For Vanilla Donuts, replace the ¼ cup unsweetened cocoa powder with ¼ cup more cake flour. Add ¼ tsp vanilla extract to the batter keeping or omitting the cinnamon as desired. These can be brushed in melted butter and tossed in cinnamon-sugar.

Preheat the oven to 425°F (215° - 220° C) and lightly grease – or spray with nonstick cooking spray - the indentations of the mini donut pans.

Sift together the flour, cocoa power, baking powder, salt, cinnamon and sugar into a medium to large mixing bowl; whisk or stir to blend.

Add the ½ cup buttermilk, the beaten egg and the melted butter and stir or whisk until blended, adding more buttermilk or milk one tablespoon at a time until all of the dry ingredients are moistened and smooth and the batter is thick but pourable.

Fill each donut cup ½ full with the batter. Bake in the preheated oven for 6 – 8 minutes or just until set, puffed and the donuts spring back when lightly pressed. They should begin to pull away from the sides of the cups.

Remove the donut pan from the oven and let cool on a rack before popping the mini donuts out of the pan. When completely cool, roll or dust generously with powdered sugar or drizzle with glaze.



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Tuesday, May 28, 2013

Plate to Page Ireland

JUST A DASH OF CREATIVITY

Enthusiasm is excitement with inspiration, motivation and a pinch of creativity. 
Bo Bennett 


It’s odd how different one group is from another. More or less bloggers, more or less professionals. They come from all over the world, every continent, but it isn’t that. Each group has its own distinct, unique personality, its own needs, its own dynamics. Each group brings something different to the table. Each Plate to Page workshop weekend begins much like a blind date: surreptitious, curious glances, trying not to appear as if staring; dancing around each other’s words, trying to understand the meaning; feeling each other out in an attempt to capture and understand each persona, each sense of humor, each level of shyness. Curiosity tainted with doubt fills the space, excitement mingled with self-consciousness. Like the first day of school. I often feel like a parent or a Scout leader trying to make everyone feel comfortable and at home, wanting this group, like the others, to form one happy, cohesive family.



By late morning of the first day, things start to click. The first set of exercises does that. One “I can’t write. I don’t write! I won’t write!” Another, arms crossed, slouched in the chair, refusal to make eye contact. Or worse: a brassy, fearless glare! “Make me, if you dare!” A “I came here only for the photography” is a sharp punch in the gut. A third releases her inner child, her inner, as she puts it, Gollum. “Impossible! I cannot! I will not! What am I doing here?” We have in some way asked them to bare their soul, show their true selves to a group of complete strangers, maybe try something they never have before dared or have convinced themselves they are not able to do; terrifying, indeed. We are all to be judged! Discomfort is inevitable. Yet we continue merrily around the group, (not giving in, not accepting any excuse not to participate) asking to hear everyone’s work, the result of an exercise done under pressure, under the constraints of time and limitations of subject. Then the second exercise is given, a mere quarter hour has passed and thick crusts are shed, embarrassment and angst give way to the spirit of the weekend and a warmth and bonhomie fill the room and we are off!

The imagination imitates. It is the critical spirit that creates. 
Oscar Wilde 


 Sofiah jumps into both the photo and the writing work.

Laughing, joyful clapping, cheering each other on as one more funny story is read aloud. Or breath taken away, emotions raw as another reads out a stunningly beautiful piece. Critique given, discussion ensues, heads nodding in accord, another attempt, pushing oneself to move a step forward. We coax out talent, explain flaws, guide and instruct. Eyes light up in understanding, impish grins as foibles are admitted, self- satisfied blushes wash over cheeks, and rightfully so, when a piece of writing is simply, utterly superb.

Plate to Page workshops are nothing if not exciting. We watch as our students give the best of themselves. Each arrives with his or her own baggage: different levels of experience and talent, different interests and goals. Friday morning, barely the time to claim a bed and have a snack and they are plunged into a world of words and images, stories to tell visually and verbally. The photographers cringe at the writing exercises, the writers worry about their photography skills, yet very quickly they are swept up in the challenge, begin to understand the reasons behind the program we offer and are energized!

Ilva teaches advanced styling and photography.

Meeta discusses shooting white on white while...

Ilva works on another setup, another mood, a different light.

And as the weekend progresses, as the participants open up to so many personal and creative possibilities, the group grows closer, barriers are broken and masks – both personal and creative masks - are dropped. Prosecco and wine corks are popped, glasses filled and refilled, the endless abundance of food circulates and they are ready for the next set of exercises.





Plate to Page workshop is filled with the tapping of keyboards, the scratching of pens and pencils on paper (yes, the old fashioned way), the clicking of cameras. Plates of food, boxes of props, bottles of bubbly are carried throughout the houses and around the grounds of gorgeous Decoy Country Cottages outside of Dublin, Ireland. The sun plays tag with the rain, allowing for a change of light and ambiance for the photo shoots, as if on cue, as if part of the program.



 While the students work on their photography, the writing instructors improvise.

Challenges are accepted, worried looks, furrowed brows give way to grins and whispers between partners, a hurried dash towards props like on any episode of Top Chef, scurrying off to a corner to set up a shot. Or gathered around a long table, stories read aloud with confidence, with doubt. One topic, twelve visions. Jeanne and I push them to think outside of the box, forget their self-imposed limits, other peoples’ expectations. We show them how to follow their instincts, to find what works, to find their natural voice, to find inspiration.


White against white, violet on charcoal, bounces repositioned, cutlery shifted. Fingers fiddle with settings, moods varying from romantic to brooding to country to elegant, light to dark, busy to stark. Meeta and Ilva explain, discuss, point out, move back to allow for personal interpretation, to each his or her own style.


By the end of the weekend, each student has discovered something new about him or herself, his or her talents, what he or she is capable of. By the end of the weekend, each student has understood the synergy between writing and photography.


By the end of the weekend, we have formed one cohesive group, a family. Once again.

No great thing is created suddenly. 
- Epictetus 


What fascinating participants: Monica and Sofiah, Anne Marie and Karon, Susana and André, Kate and Samantha, Mafe and Sumayya, Lidija who came all the way from Ireland, Scotland, Portugal, the United States, South Africa, Guatemala, England, Singapore and Slovenia. Photographers, writers, authors, bloggers and those just starting off.

Read some of our P2P Ireland participants reviews:

Sumayya: A food inspiration to write and create
Susana and André: From food to friendship
Karon: Food photography and a dream come true

And how could one possibly eat – or drink – better than at Plate to Page? Thanks to Donald Russel Butchers, Ed Hick’s Bacon Jam and Love Moorish Smoked Humous (Lemon & Dill and Chilli Harissa !!!) – we could not get enough ! Prosseco in abundance from Nino Franco in Italy and gorgeous red wines from Brancott Estate in New Zealand. And artisinal jams from the wonderful Wendy at Sunchowder’s Emporia in Florida ! Always a treat !

David describing each stunning dish he prepared for lunch as Meeta photographs.

And P2P Weimar alum the super talented David came to cook for us on Sunday. His lunch and dinner literally left this noisy, boyant, joyous group…speechless. That is how good his food was.


And what goodie bags, thanks to amazing sponsors (visit our Sponsors page to discover more!). Incredible Better Zesters (Better? Nope! The best!) and knife sharpeners from Edgeware. Dukkah and Skinny Hot Chocolate from South African NoMu. Donegal Rapeseed Oil. A copy of one of my favorite cookbooks Heartbreak Recovery Kitchen by Jeanne Ambrose and Lindsey Ambrose. Artisinal chocolates from Rococo Chocolates. Patron Tequila.
 
But the food is for another post…

READ MORE: DISCOVER PAST PLATE TO PAGE WORKSHOPS



Plate to Page Weimar
Follow your heart, but be quiet for a while first. Ask questions, then feel the answer. Learn to trust your heart.
Anonymous







Plate to Page Tuscany
And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.
- Sylvia Plath







Plate to Page Somerset 
Creativity is a highfalutin word for the work I have to do between now and Tuesday.
- Ray Kroc

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